The case for “Dame Judi Dench and a Semester Abroad.”

This week on the show, we discuss "Cute Without The E (Cut From The Team)” - one of Taking Back Sunday’s earliest hits.

This week on the show we are covering an album that means a whole lot to the both of us, Say Anything’s self-titled 2009 release.

The record, which may be Max Bemis’ lyrical apex, perhaps obviously had a large impact on our teen selves in 2009. So, for this week’s write-up, we’re going to go song by song and break down which tracks make us want to stop whatever we are doing and lay down on the floor for a while.

Who wins when Tyson Ritter faces off against himself? Who loses? Let’s get into it.

Introducing, the Angst-O-Meter™.

Four Year Strong is coming out with new music, so we figured we would go back and revisit one of our favorite Four Year Strong albums, “Rise or Die Trying.”

This week, I really only have one main point to make: the music video for “Sugar We’re Goin’ Down” is a really great example of people with antlers in cinema.

The Upsides felt new and important in the wake of the “Cute (Without The E)” era, a time where being emotional was the first and only step in the process of fandom.

There’s something strangely disrespectful about the Grammy Awards keeping some of the decade’s best albums under the alternative umbrella until they’re p’re so obviously past their prime.

“Hey There Delilah,” released two years after “Ever So Sweet,” was by far the more commercially successful. But what if it wasn’t?

"Never Really Over" feels more like a 2019 pop song than a Katy Perry song.

It’s pretty simple, really — if Stand Atlantic comes out with a new record we’re going to listen to that record.

How much should we value cover albums?

I will continue to campaign for Weezer to play “Peace” from Make Believe until the day that I die.