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Stand Atlantic releases a brand new song and pastel horror show of a music video for “Jurassic Park”, leaving the audience with an even creepier teaser for something soon to be released.
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In short, I have not slept well since first seeing the music video for Pierce the Veil’s “King for a Day” a few months ago.
A reply to that tweet came from one Lauryn Dyal, who said she is also ready for that, but was dismayed by the lack of article celebrating her readiness.
This is that article, Lauryn Dyal.
Based on photos taken at the scene earlier this month, it would appear that though there is a corner of Cherry Street in the vicinity, the sign for nearby Ocean Avenue as described in the song seems to be officially named Ocean Boulevard.
We are writing for one simple and very shameless reason: we’d love to appear on the “My Point of No Return” episode of Fake Doctors, Real Friends.
Here is our basic pitch…
After putting out a poll on Twitter, you all answered the call, asking for a mix-tape episode on the theme of “Laying On The Floor.” So that’s exactly what we did.
How close were we to a collection of early All Time Low songs being released as one, mega-supreme debut?
All aboard the hype train: it’s Forever The Sickest Kids week here at the Reminiscent Podcast. On the enduring albeit chaotic energy of the “Whoa Oh! (Me vs. Everyone)” music video.
When we tried to put together an ideal summer road trip playlist last week, we knew we’d have to take a stab at the return trip.
In the video, our heroes (?) are sitting at a large table in what seems to be an empty mansion. The lead singer is at the head of the table, proposing a toast throughout the entirety of the video while singing along to the tune. He is joined by the rest of the band and their female significant others.
As the video progresses, it becomes clear that he’s had eyes for all the women at the table for quite some time, in line with the theme and tone of the song itself.
If sleeping with one friend’s significant other is bad, then sleeping with several is, you know, worse.
Now we could talk about how much we tend to gush about all of the albums we revisit on the show, or how this one holds a special place in our hearts being Tom’s first record after leaving blink-182. But mostly, I’d like to spend some time talking about something else: What exactly was happening during that recording process?
Is our 2000s pop-punk and emo cover playlist anchored heavily, if not solely, by Goldfinger’s “99 Red Balloons”? Yes. Should “Boys of Summer” by The Ataris have made this list? Also yes.
By Season 6, Scrubs fans were acutely aware of the role the show’s music played in each episode. Being good at playlists felt like a valued skill. iPods were still new. I’d be surprised if Zach Braff’s professional career to this point didn’t have something to do with “Nick and Norah” becoming a movie.
Looking for an arbitrarily prime number of songs for your pop-punk/emo summer road trip playlist? You’ve come to the right place.
I remember one time when “Better Open The Door” came on the shuffle, my college-aged sister turned to me and said something along the lines of: “You can’t listen to the same five albums forever.”
Why don’t you fucking watch me, I thought to myself.
This week on the show, we dip into emo’s Neon Era, covering the music video for timelessly catchy “The Great Escape” from Boys like Girls, which was likely your ringtone at some point in time.
Fifteen years later, these are the only things I know for sure: Relient K is a Christian rock band, and “Mmhmm” is the group’s breakout fourth record. Everything else feels up for debate.
With an undeniable stickiness to its chorus, “I Write Sins Not Tragedies” became the second single off “A Fever You Can’t Sweat Out” and allowed the band to uncork some serious Cirque du Soleil energy.
It would seem these highly skilled dust-mite spider construction workers have yet to unionize. Just a guess.
For some, MTV Unplugged brings to mind an image of Chris Carrabba in a black polo, hair gelled into a petrified wood-like state, with a red, white, and blue sweatband on his strumming arm.
Upon re-watching the “Helena” music video, our top scientists have deduced the viewer will go through several emotional stages — five, to be exact.
This week on the show, we discuss "Cute Without The E (Cut From The Team)” - one of Taking Back Sunday’s earliest hits.
“That Thing You Do!” is a great movie about a small-town band hitting the big time. It is so good. Like, really good.
Want to know the REAL reason it may be the best movie of all time? I was born in that small town!
This week on the show we are covering an album that means a whole lot to the both of us, Say Anything’s self-titled 2009 release.
The record, which may be Max Bemis’ lyrical apex, perhaps obviously had a large impact on our teen selves in 2009. So, for this week’s write-up, we’re going to go song by song and break down which tracks make us want to stop whatever we are doing and lay down on the floor for a while.
Four Year Strong is coming out with new music, so we figured we would go back and revisit one of our favorite Four Year Strong albums, “Rise or Die Trying.”